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the Long Center, from Inside the Ring

Tag Archives: Ballet Austin

Power. Precision. Passion. Valentine’s Day weekend.
Music by Stravinsky, Tchaikovsky and Schubert.
Allegro Brillante – George Balanchine
Requiem for a Rose – Annabelle Lopez Ochoa
The Rite of Spring – Stephen Mills

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Long Center Founding Resident Company Ballet Austin presents The Rite of Spring February 15-17 at the Long Center. Here are some beautiful photographs from a recent dress rehearsal. Photo Credit: Tony Spielberg.

For more information and tickets to The Rite of Spring.

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As distinctive and dynamic as the city it calls home, Ballet Austin welcomes audiences near and far to participate in its “classically innovative” vision for the democratization of dance. With a rich history spanning five decades, acclaimed productions, a commitment to creating access to programs and one of the nation’s largest classical ballet academies, the organization is poised for an even greater future. From their home at the Butler Dance Education Center in downtown Austin, Ballet Austin and Artistic Director Stephen Mills actively engage the community, dancers, and audiences alike. The New York Times proclaims Ballet Austin “a company with big ambitions” originating work that is “absorbing.”

For More Information and Tickets to The Rite of Spring. 

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(an excerpt from the Ballet Austin blog, written by Ballet Austin Company Dancer Michelle Thompson, who is featured in the 1st image below.)

There are so many things that make this production special. The story, the humor, the sets, the music, and the joyful movement are all lovely ingredients for an extremely entertaining evening.

The choreography is filled with quick jumps, swirly spins, humorous gestures, and intricate patterns. Mills’ choreography relates directly to the music, which swoops and swirls around you encouraging you to jump, spin, bend, and run with energy. I am one of the Commedia dancers, and there are very few times of stillness throughout the ballet. The Commedia dancers form intricate patterns and lovely movements, but they also shift the scenes and become part of the narrative that helps drive the story forward. It is important when dancing in a corps de ballet and when moving sets that your timing be precise. Musicality and awareness are essential as you move through the ballet, but all this must be done with a mask on that includes a large beak. So not only do your toes have to be in line, but so does your beak. Ha!

Ballet Austin’s Taming of the Shrew runs Friday, October 7, through Sunday October 7 at the Long Center for the Performing Arts.

To read the original blog post, click here.

For tickets to Ballet Austin’s Taming of the Shrew, click here.

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