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Category Archives: Original Theater

Words of Wisdom from Charlie Ross, Creator of One-Man Star Wars Trilogy


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Charles Ross, star of One-Man Star Wars Trilogy, is performing his one-man act of the entire original Star Wars Trilogy this weekend at the Long Center! We asked Charlie just how he came up with the idea for his original show, and this is what he told us:

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This is me, at the age of eight years old. Not much of an achiever, as you can see by my total lack of merit badges.

Okay, I lie. I did receive one badge for house keeping- there’s a vacuum on it. It’s about as prestigious as the “Breathes Oxygen”, “Carbon Based Life Form”, and “Takes Up 3 Dimensional Space” badge.

Now, if you look very closely at my face you’ll notice the glazed look of a boy who knows too much about Star Wars.  My head is somewhere off in space.

At this time, I lived on a farm, in a far, far away, remote-ish, part of Canada.The TV and radio reception at our farmhouse was even worse than my badge count. Our entertainment came from Winter sports, books, a record player and a VCR. The videos we had were the original Star Wars, the Blue Lagoon, and the eight part miniseries of James Clavell’s novel Shogun (except we were missing the last 20 minutes of the last episode).

Now- it doesn’t take Eagle Scout to figure out- that nine times out of ten, when I chose something to watch, it was Star Wars– sorry Brooke. After three years of watching the film an incredible amount of times, we moved away from the farm, to an artsy little mountain town called Nelson. It was there that I discovered Acting. Behavior that used to get me kicked out of class suddenly had some value- I wasn’t being a disruptive jerk- I was a budding Thespian.

Flash-forward fifteen years later, I was a University grad with a BFA in Acting. I was living the bohemian, poverty-line life of an actor, and I longed to gain some autonomy with my “career”. The question was how? The answer was a one-man show.

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It’s all very involved, but in not so many words I put together my One Man Star Wars with my best friend and colleague, TJ Dawe. TJ had already written, performed and toured a couple autobiographical solo shows- he was the only person I trusted to work with. Plus, he knew Star Wars.

Once my show felt ready, I toured it on the North American Fringe Festival circuit. At the end of my tour, I was invited to perform in Chicago, at the Noble Fool Comedy Theatre.

Suddenly, stuff started to get pretty serious. The media liked my show’s concept: one hour, one man, three films, no props, no costumes, and no set. Then “POOF!” Lucasfilm contacts me: what’s going on? I respond: please don’t kill me?

They didn’t. Instead, they invite me to come perform at Star Wars convention. The little Boy Scout who couldn’t earn a merit badge for anything, suddenly found himself as an adult, performing for 4000 hardcore Star Wars fans per show.Once my show felt ready, I toured it on the North American Fringe Festival circuit.

At the end of my tour, I was invited to perform in Chicago, at the Noble Fool Comedy Theatre. Suddenly, stuff started to get pretty serious. The media liked my show’s concept: one hour, one man, three films, no props, no costumes, and no set. Then “POOF!” Lucasfilm contacts me: what’s going on? I respond: please don’t kill me?

To hell with your badges! I keep this picture to remind myself that while it may be worth a thousand words, none of them would describe who I am on the inside. I turned one person’s idea of a “waste of time” into “career research”.

I was a definitely terrible scout, but I’m a kick ass dreamer.

Charles Ross, Creator and Performer of One-Man Star Wars Trilogy now at the Long Center. 

For Tickets and more information about One-Man Star Wars Trilogy at the Long Center. 

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Editor’s Note: Long Center Resident Company Austin Shakespeare, a professional, award-winning theatre company, presents Noel’s Coward provocative comedy, Design For Living, February 6-24 in the Long Center’s Rollins Studio Theater.

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It’s difficult for us to realize the extent of the daring nature of Design for Living. Premiering in 1933, its treatment of sexuality in loving relationships was provocative for the time. Using a three-way love affair as the core of the plot, much of the play would still be considered eyebrow-raising today. Michael Miller plays the lead role of “Leo” in the production, and he also starred as “Mr. Darcy” in Austin Shakespeare’s recent production of Pride & Prejudice.

Ann Ciccolella: What does Noel Coward’s Design for Living say to you about relationships?

The play presents an aspect of human relationships that isn’t often discussed and may not be fully understood but, for all that, is similar to the situations in which many people do find themselves. Though our society values and presents coupling as the dominant and only acceptable mode of romantic relationship, Design For Living asks, “What do you do when you love more than one person at once?” But then, going further, it asks, “What happens when the people you love return your love but also love each other?” You might have stumbled on similar stories on Jerry Springer or Maury Povich, but I guarantee, the participants there didn’t explore their situation with nearly the amount of wit, intelligence, honesty (& healthy teeth) as these characters.

Why did you want to act in this play?

noel cowardI was excited to do the show because I’ve loved Noel Coward for years. I had the best time years ago doing two different productions of his Hay Fever in which I played the same character both times. I love his wit, language, music, elan and the fact that he was obviously, if not openly, gay (and therefore a kind of role model for me). And then there was the chance to work with Ann Ciccolella, Helen Merino & Michael Dalmon again. And although he signed on after I was cast, the addition of Martin Burke took that ‘triple treat’ and made it a treat to the fourth power.

What surprised you about the work?

designforlivingWhat has surprised me is the depth of the play. I think the common conception of Coward (definitely what comes to my mind, at least) is that of the urbane, quick-witted sophisticate. And there is that – the language is unlike any other writer’s and the humor singularly Coward’s. However, this can make him seem a little “too cute for school.” But the play is rife with honestly presented conflict and searing heartbreak. And then he gives the audience this challenge  – Design For Living starts where many plays, movies, TV shows, etc. end. In other words, without giving away too much, the first act ends where most other dramas end, but Coward keeps drilling deeper as he lets the characters continue to explore just how far their love for each other can go. And therefore, this play is far more surprising and courageous, I think, than most any other you could see.

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Editor’s Note: Guest blogger Beth Burns is the Master of Company and Theatrical Deviser for The Hidden Room Theater in Austin, Texas.

We all sat there, mouths agape, heads tilted.  I suspect I looked like I’d just tasted something I couldn’t describe.  Suddenly, actor Robert Matney started to laugh.  Then we all did, and with great appreciation.  We’d just learned our first magic trick.InvisibleInc18Web

Invisible, Inc. is a crackling play by Paul Menzer about feuding magicians in depression-era New York.  It’s absolutely filled with twists, turns, and lots of magic.  I fell instantly in love with the script, but was also a bit baffled by how we could make these illusions come to life.   Our magic consultant JD Stewart (http://jd-stewart.com) quickly got on the task, and began training our performers on how to make magic real.   Now almost a year later, our actors look like pros, and as I watch them, I still feel a sense of amazement. InvisibleInc15Web

How do we do it?  We’ll never tell.  We took a magician’s oath of secrecy with JD when we got started, and we simply can’t divulge.  But we urge you to join us January 11-20, and see if you find yourself in the same puzzled position the Invisible, Inc. team found ourselves in a year ago, as you enjoy this snappy, sexy noire mystery.  Come see us before we disappear into thin air.

PrintStarring Robert Matney, Liz Fisher, Joseph Garlock, Todd Kassens, Julia Lorenz-Olson, Laurence Pears.  Featuring an original score played almost-live nightly by Graham Reynolds.  Directed by Beth Burns, set by Ia Enstera, costumes by Jamie Urban, lights by Megan Reilly, and props by Justin Cox.  Livestream show closing night at www.hiddenroomtheatre.com.

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